Gut Feeling, 2020
Through curated space and abstracted sculptures that reference the viewer’s body, Gut Feeling, acknowledges the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a counterclockwise rotation inward. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen. The viewer directly engages with the scale of the forms, sculptural placement, and sensory experience; these elements stir humbleness in the viewer by tugging on the string that connects all of us despite our difference, our abject bodies.
Gut Feeling: Segment 1, Steel, Plastic, Acrylic, 71x53x38in. 2020
Gut Feeling: Segment 2, Steel, Plastic, Acrylic, 55x66x30in. 2020
Gut Feeling: Segment 3
Steel, Plastic, Acrylic
35x93x115in. 2020
Gut Feeling: Segment 4, Steel, Plastic, Acrylic, 117x84x96in. 2020
The Cave, Steel, Plastic, Acrylic, Speakers, Mic 132x144x96in. 2020
The Cave, Steel, Plastic, Acrylic, Speakers, Mic, 132x144x96in. 2020
Somewhere Between
Chaos and Serenity
Creative Spaces NWA, Mount Sequoyah March 2021
Somewhere Between Chaos and Serenity, is a continuation of my body of work titled, Gut Feeling. This body of work focuses on the viewer’s experience as the focal point of the exhibition. I designed the whole gallery as an art object using both positive and negative space. The sculptures act as one unified system that guides the viewer through the exhibition in a circular arrangement. The viewer follows the forms as they puncture through the walls of the gallery, while considering their own body’s relationship to the forms being seen.
Sequoyah Hall acts as a domestic space or stand in for a home, a place of safety and comfort. Living alone during the pandemic, my home has become a place of anxiety. In the exhibit I wanted to capture a home’s role of feeling safe and secure while also depicting the invasive feeling of dread and constriction that now occupies my home.